Interview

Art Director at Roboto Games Yezi Xue discussed the studio's approach to education, spoke about their hiring practices and ways of avoiding burnout, and talked about the company's working culture.

The developers of the upcoming RPG Bloody Doctor talked about the game's fantasy world, discussed organ extraction and other mechanics, and spoke about the animation.

Game Producers at Metaverse Game Studios, Vlada Kumova, and Alina Gurinova, told us about the production process behind the title Angelic, how they manage the work with remote artists and discussed the most beneficial for their studio collaborative tools.

AmazeVR's Joe Choi told us about virtual reality concerts the company produces, spoke about the technology behind AmazeVR VR-based concert platform, and shared how the company managed to raise $17 million in funding despite economic and market uncertainty.

Christian Molina talked about the history of Ghost Creative Studio, described the world and gameplay of Beacon of Neyda, and explained how the parallax effect was created.

Lead Surfacing Artists at Axis Studios Sebastian Deredas and Peter Nowacki have told us about the production process behind Mason from Love, Death+Robots' Mason's Rats episode, explained how the character's clothes were textured, discussed the creation of shaders, and showed how his skin was set up.

New media artist Weidi Zhang shared how she trained an AI system to transform real-world images into a cluster of new symbols in real time, explained how the model perceives and transfers new data, and spoke about setting up the art installation based on the project.

Lucie Lescuyer from Alblune talked about the gameplay of The Spirit and the Mouse, explained why Unity was used to create the game, and discussed the challenges of creating quadruped character animation.

Alps Studios Founder and CEO Filippo Robino has told us about the working organization at the company, spoke about the Italian VFX market, and explained why they decided to go green.